[Flash 9 is required to listen to audio.]

I’ve got a crush on you—Stacey Kent

It’s likely that I’ve posted this before, but I don’t really care right about now. It’s definitely a sweet and sleepy favorite of mine hehe :)

I don’t wanna grow up either :P  :/

I don’t wanna grow up either :P  :/

(via graphiceverywhere)

93 Notes

AVICII always sounds so happy!! :)))   I <3 it and I <3 youuuuu

(Source: classsp, via teascapades)

4335 Notes

441 Notes

409 Notes

[Flash 9 is required to listen to audio.]

When I Fall In Love—Nat King Cole

19261 Notes

Too true C:

Too true C:

(via teascapades)

460 Notes

“My tea is all sour”

Françoiz Breut - Over All

[Flash 9 is required to listen to audio.]

oldhollywood:

Billie Holiday - I’ve Got My Love to Keep Me Warm (written by Irving Berlin)

199 Notes

504 Notes

oldhollywood:

Diana “Baby Peggy” Cary, age 5, in Darling of New York (1923, dir. King Baggot)
And today’s child stars think they have it rough:
“[While filming a fire sequence for Darling of New York], King Baggot and my father walked me through the set and  showed me how the crew had lined the windows &amp; the only door with sawdust  soaked in kerosene, which would be set afire for the scene. I was warned  it would only be “one take” as the set would be completely burned. I was  shown the two different windows in the kitchen which would be ablaze  when the camera rolled. I was to look at them but turn away and run to  the door. It would not be torched by the crew, Baggot said, and I was to  escape immediately through that door.  But when filming began and I reached the door I found the crew had  mistakenly set it ablaze. The door knob was already too hot to touch.  But the camera, Baggot, and my father, shooting from a distance through  the window above the kitchen sink, could not see the flames. I knew I  could not spoil the scene by explaining the situation to them. So while  they kept shouting at me to “GO OUT THE DOOR!” I ran back to the sink &amp; the window above it, which was not burning as fiercely as was the  door. Moving fast I clambered through the burning open window and gave  the camera an unexpected close up of me escaping through the flames!
…Surprising as it seems, I worked with fire even as a toddler, and in  other dangerous situations often over the years. I learned that my  guides did not always see the dangers I saw up close. I realized early  on that it was up to me to take care of myself and do whatever  it took to get through a scene safely without ruining the film.”
-excerpted from Diana Cary’s piece on the good old days before child labor legislation at Starts Tuesday

oldhollywood:

Diana Baby Peggy Cary, age 5, in Darling of New York (1923, dir. King Baggot)

And today’s child stars think they have it rough:

“[While filming a fire sequence for Darling of New York], King Baggot and my father walked me through the set and showed me how the crew had lined the windows & the only door with sawdust soaked in kerosene, which would be set afire for the scene. I was warned it would only be “one take” as the set would be completely burned. I was shown the two different windows in the kitchen which would be ablaze when the camera rolled. I was to look at them but turn away and run to the door. It would not be torched by the crew, Baggot said, and I was to escape immediately through that door. 

But when filming began and I reached the door I found the crew had mistakenly set it ablaze. The door knob was already too hot to touch. But the camera, Baggot, and my father, shooting from a distance through the window above the kitchen sink, could not see the flames. I knew I could not spoil the scene by explaining the situation to them. So while they kept shouting at me to “GO OUT THE DOOR!” I ran back to the sink & the window above it, which was not burning as fiercely as was the door. Moving fast I clambered through the burning open window and gave the camera an unexpected close up of me escaping through the flames!

…Surprising as it seems, I worked with fire even as a toddler, and in other dangerous situations often over the years. I learned that my guides did not always see the dangers I saw up close. I realized early on that it was up to me to take care of myself and do whatever it took to get through a scene safely without ruining the film.”

-excerpted from Diana Cary’s piece on the good old days before child labor legislation at Starts Tuesday

334 Notes

370 Notes

631 Notes